Questão
ID 66815Disciplina: Língua Inglesa
Assuntos: Literatura | Literature, Metodologias e Abordagens de Ensino | Teaching Methods And Approaches
Ano: 2025 Banca: PERFIL - ENADE Órgão: Primeiro Simulado Pnd
A high school English teacher is planning a unit on Shakespeare's 'Romeo and Juliet' for her 10th-grade students. She is aware of the students' potential resistance to the 'old' language and wants to avoid a dry, historical approach that focuses only on dates and facts about the Elizabethan era. Her goal is to make the play relevant and engaging by using a combination of teaching methods and approaches for language and literature. She wants to blend a textual approach (focusing on the language of the play) with a more experiential and creative one. The head of the department, a traditionalist, insists that the only valid method is a close reading of the text, focusing on iambic pentameter and literary devices. The teacher, however, believes in a more pluralistic methodology. She consults a modern guide to teaching Shakespeare, which states: 'Teaching Shakespeare today requires a methodological toolkit. A purely historical approach can alienate students, while a purely creative one can lose textual rigor. The most effective teachers weave together different methods: they might use process drama to explore character motivation, a textual analysis to appreciate the poetry, and a cultural studies lens to connect the play's themes to the students' own world.'
Based on this principle of methodological pluralism, analyze the following activities the teacher is considering for her unit plan:
I. A 'process drama' activity where students, in groups, improvise a modern-day scene of a family feud (like the Montagues and Capulets), exploring the emotions and motivations of the characters through dramatic enactment before they read the actual text.
II. A 'close reading' workshop where students analyze the language of the balcony scene, focusing on the extended metaphors of light and darkness used by Romeo and Juliet to express their feelings, thus engaging with the poetic richness of the text.
III. A project where students create a 'soundtrack' for the play, choosing contemporary songs that they believe reflect the mood and themes of key scenes, and writing a justification for their choices that connects the song lyrics to Shakespeare's text.
Which of these activities contribute(s) to a rich, methodologically pluralistic approach to teaching literature?